![]() Evans’ idea was to have the band improvise collectively, rather than the rhythm section supporting the pianist as each soloed in turn. In the waning days of 1959, Evans first entered the studio with bassist LaFaro and drummer Motian, and the group quickly became one of the most important in modern jazz. The Unforgettable Trioīill Evans found an inexhaustible store of creative possibility in the stripped-down form of the piano/bass/drum trio, and his work in this setting is his best known. “The Two Lonely People,” from Evans’ 1971 trio LP The Bill Evans Album, was written by the pianist and lyricist Carol Hall, and Evans mentioned how much her words shaped his development of the melody. Over the years, Evans also found inspiration in lyrics. After an impressionistic opening section, Evans and Hall up the pace slightly and begin an extended conversation that finds them working through the implications of the tune to gorgeous effect. “Turn Out the Stars” is an aching ballad Evans’ regularly returned to throughout his career, and you can hear a terrific early version on Intermodulation, his 1966 duo set with guitarist Jim Hall, a kindred spirit. ![]() Listen to the best Bill Evans songs on Apple Music and Spotify. And though his work was beloved by his fellow musicians – his breakthrough album, 1959’s Everybody Digs Bill Evans, featured on its cover testimonials from Davis, Ahmad Jamal, George Shearing, and Cannonball Adderley – his music was unusually accessible and is frequently an early stop on a curious listener’s journey into jazz. In his case, his unwillingness to chase trends turned out to be a strength. Instead, he made his way through these tumultuous decades by performing in familiar settings – mostly trios – and continually refining and expanding his approach to jazz standards. But Evans barely touched on these developments. The way he approached it, the sound he got was like crystal notes or sparkling water cascading down from some clear waterfall.” The beauty that Davis describes was present from Evans’ work early until the end.Įvans’ career spanned from the mid-1950s to his death in 1980, a time of rupture in the jazz world that saw the birth of free playing and the creation of electric fusion, among other innovations. Evans was the pianist on Miles Davis’ landmark album Kind of Blue, and in his autobiography, Davis includes an oft-quoted remark that sums up Evans’ sound particularly well: “Bill had this quiet fire that I loved on piano. His distinctive tone at the instrument allowed him to wring large amounts of emotion from just a few notes. He attained this stature by playing to his strengths. his music reflects the array of influences that he has picked up in some of the most exotic places around the world.Bill Evans is one of the most important pianists in jazz. Broad, wholesome, charitable views of men and things cannot be acquired by vegetating in one little corner of the earth all one's lifetime". Mike goes by Mark Twain's dictum - "Travel is fatal to prejudice, bigotry, and narrow-mindedness and many of our people need it sorely on these accounts. He has managed to combine elements of the revered canons of Western music interspersed with the audacity of Jazz improvisation, and paying tribute to the ancient structures of Asian, South American and African traditional music. Mike has travelled the world extensively (so far 117 countries), searching for collaborations with musicians from cultures quite different to his own, and the musical results have been eye-opening, building musical bridges between cultures not normally within reach of each other. His reputation as a soloist, accompanist, composer and arranger has led to performances and recordings with musicians such as Toots Thielemans, Branford Marsalis, Jack DeJohnette, Randy Brecker, Oscar Castro Neves, Deborah Brown, Erik Truffaz, Jorge Rossy, Scott Hamilton, Richard Galliano, and many others. ► Mike del Ferro is a highly sought after International Award Winning Pianist and World Traveller from Amsterdam. ► Stay tuned for new Videos where Mike will explain about his Harmonic Concepts. Send an email if you want to receive a free Leadsheet from this arrangement. Rich Piano Voicings wIth Passing Chords, Tritone Substitutes, Dominant Altered Chords and Negative Harmony. ► Slow, Advanced Chord Progressions and Reharmonization by Dutch Pianist Mike del Ferro of the beautiful (Jazz) Ballad Somewhere Over the Rainbow. ► FOLLOW Mike del Ferro on all Platforms: ► More Piano Transcriptions by Mike del Ferro: ![]() Piano Transcription: ""Blue in Green" (Miles Davis/Bill Evans) as played by International Award winning Pianist Mike del Ferro.
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